In the programme notes to the Guildhall production of Journeying Boys, writer and director Iain Burnside reveals that the original idea behind the play came from Nick Sears, the Royal College of Music’s Head of Vocal Studies. It’s hard to know whether that disclosure was a giving of credit due or a disclaimer.
Tête à Tête: The Opera Festival has once again succeeded in showcasing with flair some of the most daring and innovative small-scale operas. This Sunday, a diverse audience gathered at London’s Riverside Studios for the performance of Louis Andriessen’s recent monodrama Anaïs Nin (2009-10).
