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Lyric Opera of Chicago's production of Missy Mazzoli's opera, which the company co-commissioned, has strong, dramatic, expressive music throughout, but the story lacks continuity. 

Claus Guth's production foregrounds the regimented, repressive world that drives the plot of Janáček’s tragic masterpiece.

Benjamin Britten's comic slice of country life proves an ideal choice for the conservatory setting.

The pairing of Ralph Vaughan Williams’ Riders to the Sea with Rene Orth’sEmpty the House worked perfectly and did absolute justice to these two despair-filled operas.