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Xiaoxuan Li and Eva Gevorgyan, winners of the 2018 Cleveland International Piano Competition for Young Artists, came back to Cleveland for an evening of virtuosic showpieces.

D'Orazio proved in a program that included Berio's Sequenza VIII why he is a leading exponent of contemporary violin composition.

Even playing in total darkness, the JACK Quartet offers illuminating insights.

Style, technique, an original approach, a brilliant discography, even an exemplary profile offstage – Midori has it all. What impresses in live performances is her intelligence, her deep understanding of the material and ability to articulate a wide range of visions and voices. 

Ray Chen and Julio Elizalde place Sarasate dessert before the main course of Beethoven's 'Kreutzer' Sonata in Cleveland recital.

It’s a busy month for superstar violinist Gil Shaham, who started February with Erich Korngold’s Violin Concerto and will end it with a new CD release. In between, he is resuming his exploration of Bach’s sonatas and partitas for solo violin with recitals in the United States and Italy.

After a long career performing and recording most of the canon of western European early music, in recent years Jordi Savall has turned his attentions to the relationships of music in the Middle East, northern Africa, Spain and the Balkan countries.

In some circles Mark O’Connor is a legend in his own time. While still a teenager he won wide acclaim as one of the best bluegrass fiddlers of our age. Beyond many albums of bluegrass and folk music, he has also made critically and commercially successful crossover recordings with the likes of cellist Yo-Yo Ma and double bassist Edgar Meyer.

This week The Cleveland Orchestra and Cleveland Museum of Art, two iconic cultural brands in the city, collaborated on a two-concert series at the museum of music by composers who based their careers in California. The orchestra’s assistant conductor, James Feddeck, conducted the concerts in the museum’s intimate Gartner Auditorium.

As part of the official opening of the new Ames Family Atrium, the Cleveland Museum of Art presented the brilliant twelve-man choral ensemble Chanticleer in a sold-out late evening concert on 30 January.

The program page for Kronos Quartet’s program at the Cleveland Museum of Art on 18 January was typical of their concerts: a daunting list of mostly unfamiliar composers and every work either written or arranged for Kronos (David Harrington and John Sherba, violins; Hank Dutt, viola; and Jeffrey Zeigler, cello).