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When there are no intricate steps to master or roles to portray, what is left of a dancer’s essential self? Quite a lot.

Rachel Rizzuto reviews LeeSaar The Company's Princess Crocodile at the Baryshnikov Arts Center, New York. 

For the past several months, I have repeatedly lamented the dearth of inventive and compelling dance – preferably without an intense display of nudity. I am pleased to announce that I have found a piece of dance theater worthy of my comprehensive recommendation: Rosie Herrera’s Dining Alone.