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Milhaud reported “a spirit of carefree gaiety reigned” in 1920s Paris, a spirit Marcela Roggeri and François Chaplin's varied programme aimed to evoke.

François-Frédéric Guy proves the ideal Beethoven interpreter is his "It's All About the Piano" recital at the Institut français in Kensington. 

Peter Donohoe and Benjamin Frith (standing in for Peter Hill) performed Messiaen's Visions de l'Amen with intensity, clarity and profound musical understanding.