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What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.

Romeo Castellucci's captivating Moses und Aron was a major success, a bold reminder of the boundless power of opera.

Barrie Kosky's production of Schoenberg's unfinished masterpiece is brought to musical life by Vladimir Jurowski's intense and compelling interpretation.

A riveting performance of Schoenberg's Moses und Aron, despite the absence of the golden calf, the burning bush, Sodom and Gomorrah. 

La nouvelle production de l'opéra dodécaphonique inachevé de Schönberg, premier acte de l'ère Lissner à Paris, met en valeur le travail remarquable du Chœur de l'Opera de Paris, dans une mise en scène plastique très conceptuelle de Romeo Castelluci.