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Two individual works worth seeking out with outstanding performances in each.

Incest, family secrets, murder… this is a fiercely compelling evening of dance, drama and song.

Alice Coote is totally mesmerising in Britten's cantata Phaedra in a concert stream from London's Southbank.  

Christine Rice gives an astonishingly performance in an evening of four powerful chamber pieces.

Barbican Britten: Phaedra is just one of the events in the venue’s two-week celebration of the composer’s centenary. The programme presents four pieces choreographed by Richard Alston to Benjamin Britten’s music. Alston’s choreography is well suited to Britten’s music: both artists are lyrical, tempered, and incline toward narrative.

As my seatmate remarked to me after the concert, it is strange and wonderful to hear Benjamin Britten and Dmitri Shostakovich, who befriended each other late in life, begin to sound alike in their old age while remaining unmistakably themselves. I agreed.

In a brief mid-concert interview for BBC Radio 3, conductor Sian Edwards was asked why Britten and his contemporaries wrote so much music for small string orchestra, and her answer illuminated the choice of programming for this Proms Saturday Matinee performance.

22 November 2012 would have been Benjamin Britten’s 99th birthday. Wigmore Hall marked the occasion with the first concert in a series of nine events in November and December. However, rather than focusing exclusively on Britten’s music, it built towards the climax that saw Britten’s angst-ridden late masterpiece Phaedra searingly performed.

Les Violons du Roy ont permis aux mélomanes de Québec de découvrir la mezzo-soprano britannique Christine Rice, qui a ébloui dans un répertoire allant de Purcell à Britten.