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After a six month gap, the Nationaltheater welcomes a limited audience to an opera-in-concert of extraordinary beauty of singing.

In an all-Mendelssohn programme, Pablo Heras-Casado led the orchestra in detailed and original interpretations, with a strong performance from soloist Isabelle Faust.

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.

Mit bewegenden solistischen Szenen verabschiedete sich Elisabeth Kulman fulminant als klassische Konzertsängerin