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Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer. 

The final performance at NYCB’s fall season was the best one. One has to have just pure admiration for this company, its dancers, its history, its future.

Gonzalo Garcia bows out from NYCB with a ridiculously ambitious program of Robbins, Peck and Balanchine.

An all-Balanchine program that is remarkably energetic and free at New York City Ballet

It’s all there: flashy extensions whipped into ecstatic heights, bravura speed and precision, intricate entanglements of dancers, whimsical wit and the loving nod to an adulation of Woman.

The Pacific Northwest Ballet's season opener captures different periods of neoclassical ballet with Christopher Wheeldon's Tide Harmonic, George Balanchine's Prodigal Son and Jerome Robbin's The Concert (or, The Perils of Everybody).