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I must admit I like NYCB’s recent trend away from the themed programming. The combinations can seem strange, but the performances have more variety.

Union Jack isn't a Balanchine masterpiece – it's more of a fun-sterpiece, which is even better.

Modern dance choreographer Pam Tanowitz' first commission for New York City Ballet proved unruly yet fascinating, sandwiched between George Balanchine's enduring Valse-Fantaisie and Western Symphony.

It was worth the price of admission just to see the ebullient revival of Geoffrey Holder’s Dougla.

Isabella Boylston, Cassandra Trenary and Herman Cornejo are exemplary in Mark Morris's new After You, a ballet of simple grace.