Live, Video: Find classical music concert, opera, ballet and dance reviews | Violin Concerto no. 1 in B flat major, K207

On the orchestra's first US tour since Kirill Petrenko took over as Chief Conductor, their Carnegie Hall program includes a work by American composer Andrew Norman, an early Mozart concerto and Korngold’s sole symphony.

An eclectic line-up in Prague's Rudolfinum offers surprises and a surfeit of talent.

Julia Fischer's final concert in her series with LPO exploring Mozart's violin concertos tackled Nos 1 & 2, thoughtfully balanced with Tchaikovsky's gleaming Serenade for Strings.

Hans Graf conducts Paul von Klenau's Eighth Symphony, while Bomsori Kim becomes the first overseas soloist to perform with the SSO in over a year.

In a world of Sergey Malovs the violoncello da spalla could have been a contender.

Inferno, after Dante's Divine Comedy, is a 46-minute ballet score rich in astounding, ingenious, sumptuous effects with a particular genius for unlikely combinations of instruments, and only a few obvious Lisztian references.

Isabelle Faust and the Orchestra of the Age of Enlightenment find steely freshness in Mozart, with brooding intensity and accentuated twists and turns in Haydn and CPE Bach.

The conductor and soloist usually have a close relationship, but rarely are they the same person. Nikolaj Znaider demonstrated his musical prowess as both a violin soloist and as conductor commanding the London Symphony Orchestra.

Nicolaj Znaider proves a better conductor than soloist with the OSM in programme of works by Mozart, Smetana and Dvořák. 

Le violoniste-chef a témoigné d'une belle complicité avec la phalange alsacienne dans l'intégrale des cinq concertos mozartiens.

El violinista David Grimal repite al frente de la Orquesta Sinfónica de Galicia como solista y director con los tres primeros conciertos de Mozart.

Les Grands Interprètes paraient à ce phénomène, pour leur second concert de la saison, en invitant l’ensemble du Giardino Armonico, cofondé et dirigé depuis 1989 par Giovanni Antonini, pour un programme entièrement classique.

Richard Egarr se puso al frente de la OSG para dar vida a un programa con los grandes nombres del clasicismo y primer romanticismo, recuperando la autenticidad y las emociones de unas músicas a las que imprimió una potente individualidad.