2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-04-07UTC05:56:05+00:002018-04-05Hakhnazaryan’s programme was rich with meaty music.Hakhnazaryan at Wigmore Hall: a riotous jig with a touch of classen_GBtruehttps://bachtrack.com/review-brahms-schumann-cassado-hakhnazaryan-shevchenko-wigmore-hall-london-march-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngOlivia Bellhttps://bachtrack.com/22/270/list-published/22437https://bachtrack.com/22/270/list-published/22437https://bachtrack.com/files/44125-olivia-bell.jpgOlivia has recently graduated as Senior choral Scholar from Queens'
College, Cambridge, where she read English and became Culture Editor at
the Tab. A freelance soprano, she currently works as a content editor at
the Telegraph.https://bachtrack.com/files/80374-narek-haknazaryan-c-marco-borggreve2-resized.jpg510340Narek HaknazaryanMarco Borggreve2018-Apr-02, Wigmore Hall: Narek Hakhnazaryanhttps://bachtrack.com/concert-listing/wigmore-hall/narek-hakhnazaryan/02-april-2018/19-302018-04-022018-04-02Wigmore HallLondonGreater LondonUnited KingdomW1U 2BP36 Wigmore Street51.5165679060013-0.148358345031738https://wigmore-hall.org.uk/whats-on/narek-hakhnazaryan-oxana-shevchenko-201804021930?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64407-wigmore-hall-logo.jpg5
The unmistakable approach of the American cellist lent itself easily to both Stravinsky and a recent work by Steven Mackey. It also twisted Brahms a little beyond recognition.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-11-07UTC09:39:30+00:002017-11-06The unmistakable approach of the American cellist lent itself easily to both Stravinsky and a recent work by Steven Mackey. It also twisted Brahms a little beyond recognition.Revolt against tradition: Alisa Weilerstein and Inon Barnatan at Wigmore Hallen_GBtruehttps://bachtrack.com/review-weilerstein-barnatan-wigmore-hall-november-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSophia Lambtonhttps://bachtrack.com/files/70841-alisa-weilerstein-4785296-i7g8933b-credit-decca-c-harald-hoffmann-resized.jpg510340Alisa WeilersteinHarald Hoffmann | Decca2017-Nov-04, Wigmore Hall: Brahms, Stravinsky and Steven Mackeyhttps://bachtrack.com/concert-listing/wigmore-hall/brahms-stravinsky-and-steven-mackey/04-november-2017/19-302017-11-042017-11-04Wigmore HallLondonGreater LondonUnited KingdomW1U 2BP36 Wigmore Street51.5165679060013-0.148358345031738https://wigmore-hall.org.uk/whats-on/alisa-weilerstein-inon-barnatan-201711041930?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64407-wigmore-hall-logo.jpg3
For whatever reason, performers have always seemed to fear the fourth wall. They are content to let their music speak for itself, and any attempt to address the audience verbally is often considered lowbrow. This makes sense in some regards, as it facilitates the image of performer as master and lends artistic integrity to the music.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:49:47+00:002013-09-02John Dorhauer reviews the Ravinia debut of cellist Amit Peled and pianist Noreen Polera.The engaging lyricism of cellist Amit Peled's debut at Ravinia Festivalen_GBtruehttps://bachtrack.com/review-ravinia-festival-2013-amit-peled-noreen-poleraBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJohn Dorhauerhttps://bachtrack.com/files/3007-amitpeled.jpg400400Amit Peled2013-Aug-31, Ravinia Festival: Bennett Gordon Hall: $10 BGH Series/ Cellomaniahttps://bachtrack.com/concert-listing/ravinia-festival-bennett-gordon-hall/10-bgh-series-cellomania/31-august-2013/18-002013-08-312013-08-31Ravinia Festival: Bennett Gordon HallChicagoIllinoisUnited States42.1558957502759-87.7740669250488http://www.ravinia.org/ViewDate.aspx?utm_medium=display&utm_source=bachtrack.com&show=6254
Reviewing concerts by young performers can be a tricky business, particularly when the material is highly varied and the way it is played even more so. Whenever I formed an opinion about the cello playing of Pablo Ferrández in today’s concert in Gstaad Chapel, I found myself contradicting it in the following piece.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:38:35+00:002013-02-09David Karlin reviews Pablo Ferrández and Luis del Valle playing at Sommets Musicaux de GstaadSome memorable moments in a mixed cello concerten_GBtruehttps://bachtrack.com/review-pablo-ferrandez-luis-del-valle-sommets-musicauxBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/2225-pablo_ferrandez_copyright_miguel_bueno.jpg400400Pablo Ferrandez Miguel Bueno2013-Feb-08, Kapelle Gstaad: Pablo Ferrandez, Luis del Vallehttps://bachtrack.com/concert-listing/kapelle-gstaad/pablo-ferrandez-luis-del-valle/08-february-2013/16-002013-02-082013-02-08Kapelle GstaadGstaadBernSwitzerland46.4729277.28637http://sommets-musicaux.info/SMG/CMS/index.php?utm_medium=display&utm_source=bachtrack.com&page=billeteriehttps://bachtrack.com/files/12314-pablo_ferrandez_2___kirill_bashkirov.jpg3
The Brahms cello sonatas in E minor and F major are two pillars of the cello repertoire and represent, rightly so, the first career peak for performers. Together they cover the full range of emotion, from dark, brooding introspection to the playful nature of the middle movements.
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:35:12+00:002012-11-27Emily Owen reviews Natalie Clein playing Brahms cello sonatas in Kings Place the Brahms Unwrapped concert seriesBrahms Unwrapped: Natalie Clein plays the Cello Sonatas at Kings Placeen_GBtruehttps://bachtrack.com/review-kings-place-brahms-unwrapped-clein-apekishevaBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngEmily Owenhttps://bachtrack.com/files/1975-natalie_clein_22.jpg400400Natalie Clein Sussie Ahlburg2012-Nov-24, Kings Place: Hall One: Natalie Clein plays Brahms's Cello Sonatashttps://bachtrack.com/listing-kings-place-brahms-unwrapped-clein-apekisheva2012-11-242012-11-24Kings Place: Hall OneLondonGreater LondonUnited KingdomN1 9AG90 York Way51.534911038671-0.12211561203002934