Ludovic Morlot closes his sixth Seattle Symphony season with a challenging program of Ligeti's Requiem and Mahler's Fifth that raises the stakes for musical 'redemption'.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-06-26UTC09:57:22+00:002017-06-25Ludovic Morlot closes his sixth Seattle Symphony season with a challenging program of Ligeti's Requiem and Mahler's Fifth that raises the stakes for musical 'redemption'. Mahler's Fifth by way of Ligeti in Seattleen_GBtruehttps://bachtrack.com/review-mahler-ligeti-morlot-seattle-symphony-june-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngThomas Mayhttps://bachtrack.com/22/270/list-published/15715https://bachtrack.com/22/270/list-published/15715https://bachtrack.com/files/40605-thomas-may.jpgThomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.https://bachtrack.com/files/62643-1617-concerts-messiaen-beethoven-brandonpatoc-0043-resized.jpg510340Seattle Symphony and Seattle Symphony ChoraleBrandon Patoc2017-Jun-22, Benaroya Hall, S Mark Taper Auditorium: Mahler Symphony No. 5https://bachtrack.com/concert-listing/benaroya-hall-s-mark-taper-auditorium/mahler-symphony-no-5/22-june-2017/19-302017-06-222017-06-24Benaroya Hall, S Mark Taper AuditoriumSeattleWashingtonUnited States9810147.6076531499111-122.336958646774https://bachtrack.com/files/65402-seattlesymphony-logo.png4
The Concertgebouworkest's series based on 'the sublime' continues with an eclectic programme of Ockeghem, Ligeti, Varèse and Ravel at the Concertgebouw.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-09-29UTC14:06:43+00:002014-09-28The Concertgebouworkest's series based on 'the sublime' continues with an eclectic programme of Ockeghem, Ligeti, Varèse and Ravel at the Concertgebouw. Sublime Varèse and Ligeti in the Concertgebouwen_GBtruehttps://bachtrack.com/review-varese-nott-concertgebouw-september-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngRenée Reitsmahttps://bachtrack.com/files/6742-jonathan_nott_thomas_muller.jpg510340Jonathan NottThomas Müller2014-Sep-25, Concertgebouw: Main Hall: AAA: The Sublime – Royal Concertgebouw Orchestrahttps://bachtrack.com/concert-listing/concertgebouw-main-hall/aaa-the-sublime-royal-concertgebouw-orchestra/25-september-2014/21-152014-09-252014-09-25Concertgebouw: Main HallAmsterdamNorth HollandNetherlands1071 LNConcertgebouwplein 1052.35624844.8791024https://bachtrack.com/files/15820-groot_omroepkoor.jpg5
So begins the fifth year of Alan Gilbert’s quest to make the New York Philharmonic the very model of a modern symphony orchestra: a concert in which the music director spent the vast majority of this time seated stock still; in which the luckier of the musicians spent most of their hours looking up at a big screen; and in which the audience spent most of their evening entranced by visuals and ju
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:50:46+00:002013-09-24David Allen reviews the New York Philharmonic playing Stanley Kubrick's 2001: A Space OdysseyStaring into the unknown: The New York Philharmonic play 2001: A Space Odysseyen_GBtruehttps://bachtrack.com/review-ny-phil-gilbert-film-week-2001Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Allenhttps://bachtrack.com/files/3073-nyp2001photobychrisleesm.jpg400400New York Philharmonic Chris Lee2013-Sep-20, Lincoln Center: David Geffen Hall: THE ART OF THE SCORE: Film Week at the Philharmonic - 2001: A Space Odysseyhttps://bachtrack.com/listing-ny-phil-gilbert-film-week-20012013-09-202013-09-20Lincoln Center: David Geffen HallNew York CityNew YorkUnited StatesNY 1002340.772335628263-73.98380041122402https://bachtrack.com/files/49914-artboard-1.png3
