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The Estonian Music Days end with a recital of choral music that often proved challenging, but not in a good way. 

From introspective Mahler to flowing Schumann, Claudio Abbado is remembered at a concert with the Mahler Chamber Orchestra in Dresden's Frauenkirche.

Marian Anderson, the famed African-American contralto, once remarked of Kathleen Ferrier, “My God, what a voice – and what a face!” This concert was a Centenary Celebration of Ferrier’s art at the Wigmore Hall, and I reflected (not for the first time) how aptly Anderson’s words could also apply to Alice Coote, the evening’s distinguished soloist.

Christian Gerhaher y Gerold Huber transitaron por despedidas, desencuentros y desesperación en una cuidada selección de lieder de Mahler. Ambos intérpretes, profundamente compenetrados, ofrecieron un bellísimo recital como parte del Ciclo de Lied.