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The UBS Soundscapes: Eclectica concert at LSO St. Luke's on the 12th October, billed as a celebration of Steve Reich's 75th birthday, was indeed a celebration, and also a tribute. The performance, by a chamber group of string, percussion and keyboard players from the London Symphony Orchestra, was infused with warm affection for the music.

Each piece in Nicolas Alstaedt and José Gallardo's programme was re-imagined for the cello as a direct response to existing musical material. The original music either came from a different genre, or was composed for a different instrument. Four significant works in the cello repertoire emerged.

Compared to the venue for this concert, the eighteenth century Baroque music in the programme is relatively modern. Beverley Minster was built between the thirteenth and fifteenth centuries. Sitting in the ancient Quire where generations of musicians have sat before, listening to the Historically Informed Performance, the audience was transported into the world of the past.

Saturday 16th April's audience received the full advantages of the chronological programming of the sonatas in Leon McCawley's Mozart Marathon at Kings Place this weekend. The five sonatas in the programme span some of the most critical events and emotional highs and lows in Mozart's life, reflected in this music.