| vendredi 10 avril 2026 | 18:30 |
| samedi 11 avril 2026 | 18:30 |
| mercredi 15 avril 2026 | 18:30 |
| jeudi 16 avril 2026 | 18:30 |
| vendredi 17 avril 2026 | 18:30 |
| samedi 18 avril 2026 | 18:30 |
| Puccini, Giacomo (1858-1924) | Madama Butterfly | Livret de Luigi Illica, Giuseppe Giacosa |
| Lithuanian National Opera | |||
| Martynas Stakionis | Direction | avril 10, 11, 15 | |
| Ričardas Šumila | Direction | avril 16, 17, 18 | |
| Anthony Minghella | Mise en scène | ||
| Michael Levine | Décors | ||
| Han Feng | Costumes | ||
| Peter Mumford | Lumières | ||
| Lithuanian National Opera Orchestra | |||
| Lithuanian National Opera Chorus | |||
| David Parry | Direction musicale | ||
| Carolyn Choa | Chorégraphie | ||
| Viktorija Miškūnaitė | Soprano | Cio-Cio-San (Madama Butterfly) | avril 10, 15, 17 |
| Gabrielė Bukinė | Soprano | Cio-Cio-San (Madama Butterfly) | avril 11, 16, 18 |
| Tomas Pavilionis | Ténor | Pinkerton | avril 10, 15, 17 |
| Karolis Kašiuba | Ténor | Pinkerton | avril 11, 16, 18 |
| Steponas Zonys | Baryton | Sharpless | avril 10, 15, 17 |
| Eugenijus Chrebtovas | Baryton | Sharpless | avril 11, 16, 18 |
| Jovita Vaškevičiūtė | Mezzo-soprano | Suzuki | avril 11, 16, 18 |
| Rafailas Karpis | Ténor | Goro | avril 10, 15, 17 |
| Mindaugas Jankauskas | Ténor | Goro | avril 11, 16, 18 |
| Liudas Mikalauskas | Basse | Le Bonze | avril 10, 11, 15, 16, 17, 18 |
| Arūnas Malikėnas | Basse | Prince Yamadori | avril 10, 15, 17 |
| Mindaugas Tomas Miškinis | Basse | Prince Yamadori | avril 11, 16, 18 |
| Mindaugas Tomas Miškinis | Basse | Le commissaire impérial | avril 18 |
| Evelina Volodkovič | Soprano | Kate Pinkerton | avril 10, 15, 17 |
| Skirmantė Vaičiūtė | Mezzo-soprano | Kate Pinkerton | avril 11, 16, 18 |
| Arminas Skirvainis | Baryton | Le commissaire impérial | avril 10, 11, 15, 16, 17, 18 |
This is just a fraction of the immense critical response that the new production of Puccini's Madama Butterfly drew after its opening performances at the English National Opera in early November. Anthony Minghella, the Oscar-winning film director renowned for his films, The English Patient, The Talented Mr Ripley and Cold Mountain, has made a stunning debut in the opera arena. 'Collectively, we [the creative team] have always admired the austerity of Japanese staging and how incredible precision is used to achieve great beauty. Our challenge is to create transparency through unadorned yet beautiful series of images. We don't want to interfere with the composer's intentions, rather expose them in a moving evening of music. It's a wonderful opportunity,' said Anthony Minghella before the premiere. In collaboration with his creative team he seems to have used the opportunity to the full. This Madama Butterfly was recognized as the Best Opera Production in the Laurence Olivier Awards 2006.
Surtitles in Lithuanian and English

