Janáček Theatre (Janáčkovo divadlo)Rooseveltova 1- 7, Brno, Southern Moravia, 602 00, République tchèque
Dates/horaires selon le fuseau horaire de Prague
| mercredi 30 septembre 2026 | 19:00 |
Artistes
| Janáček Opera NTB | ||
| Robert Kružík | Direction | |
| Jiří Heřman | Mise en scène, Lumières | |
| Tomáš Rusín | Décors | |
| Zuzana Štefunková-Rusínová | Costumes | |
| Patricie Částková | Dramaturgie | |
| Pavel Koňárek | Chef de chœur | |
| Martin Buchta | Chef de chœur | |
| Jan Kodet | Chorégraphie | |
| Josef Škarka | Baryton | Chaplain |
| David Nykl | Baryton-basse | Prisoner |
| Edit Antalová | Voix | Luisa |
| Michal Heriban | Comédien | The Eagle |
| Eva Novotná | Voix | Aljeja's Mother |
| Roman Hoza | Baryton | Alexandr Petrovič Gorjančikov |
| Romana Kružíková | Soprano | Aljeja |
| Štefan Margita | Ténor | Luka Kuzmič (Filka Morozov) |
| Peter Berger | Ténor | Skuratov |
| Eduard Martyniuk | Ténor | Šapkin, Drunk prisoner |
| Pavol Kubáň | Baryton | Šiškov |
| Jan Šťáva | Basse | Prison governor |
| Zbigniew Malak | Ténor | Big prisoner/Nikita, Voice |
| Vít Nosek | Ténor | Prisoner with the eagle, Kedril, Čerevin |
| Lukáš Bařák | Baryton-basse | Small prisoner, Čekunov, Blacksmith |
| Petr Levíček | Ténor | Elderly prisoner |
| Jana Hrochová | Mezzo-soprano | Prostitute |
| Tadeáš Hoza | Baryton | Prisoner as Don Juan and Brahmin |
| Pavel Valenta | Ténor | First guard |
| Kornél Mikecz | Baryton | Cook |
A unifying line runs through all Leoš Janáček’s compositions like a red thread – deep humanity and original form. This is perhaps the most applicable to his two last great works – the opera From the Dead House, an abbreviated probe into the souls of prisoners, and the Glagolitic Mass, a special expression of faith in a mass based on an Old Slavonic text. As part of the Janáček Brno 2022 festival, a unique combination of the two works was created, where the scenic form of the Glagolitic Mass as a continuation of the opera From the Dead House gives both works a new statement about the power of faith in man.
De la maison des morts par Jiří Heřman, nos comptes-rendus

