| samedi 17 octobre 2026 | 19:00 |
| mardi 20 octobre 2026 | 19:00 |
| jeudi 22 octobre 2026 | 19:00 |
| dimanche 25 octobre 2026 | 19:00 |
| mercredi 28 octobre 2026 | 19:00 |
| vendredi 30 octobre 2026 | 19:00 |
| MusikTheater an der Wien | ||
| Robert Jindra | Direction | |
| Philipp Stölzl | Mise en scène, Décors, Lumières | |
| Ursula Kudrna | Costumes | |
| Wiener Symphoniker | ||
| Arnold Schoenberg Choir | ||
| Philipp M Krenn | Szenische Neueinstudierung | |
| Conrad Moritz Reinhardt | Décors | |
| Christian Schröder | Dramaturgie | |
| Ambur Braid | Soprano | Senta |
| Jordan Shanahan | Baryton | Le Hollandais |
| Wilhelm Schwinghammer | Basse | Daland |
| Cameron Becker | Ténor | Erik |
| Ieva Prudnikovaite | Mezzo-soprano | Mary |
| James Ley | Ténor | Le Pilote |
A terrible curse hangs over him: the infamous seaman known as “the flying Dutchman” can only go ashore every seven years to try to find a wife who, if she is true to him, will release him from his ordeal. If he fails, he is condemned to roam the oceans of the world. Senta, daughter of the sea captain Daland, knows of the Dutchman’s fate and feels that it is her destiny to save him through her love. But can her obsession with this phantom survive when she is faced with the reality? In his opera, included in the canon of “works fit for Bayreuth” in 1901, Richard Wagner portrays a man who despairs of life and society. Although composed in 1841 in Paris, the work did not appear until two years later in Dresden. In his production, director Philipp Stölzl questions the opera’s attitude towards women and follows the plot solely from Senta’s perspective – who is “sold” by her father and expected to give herself up entirely for another man.
In German with German and English surtitles
Introduction to the work 30 minutes before curtain-up

