| Fondazione Mascarade Opera | |
| Wyn Davies | Direction |
| Federico Grazzini | Mise en scène |
| Anna Bonomelli | Décors, Costumes |
| Giuseppe di Iorio | Lumières |
| Orchestra del Teatro Comunale di Bologna | |
| Anna-Helena Maclachlan | Mezzo-soprano |
| Mariam Suleiman | Soprano |
| Benjamin Gautier | Baryton |
| Charles Buttigieg | Baryton |
| Ferdinand Muradyan | Basse |
| Taylor Wallbank | Ténor |
| Vuyisa Xipu | Ténor |
Set in a luxury clinic poised somewhere between the 1920s and the 1940s, Villa Belcanto weaves together scenes, arias and duets from different operas into a single narrative journey through the music of Donizetti, Handel and Tchaikovsky. What emerges is the transformation of a clinic as a place of memory: no longer merely a private, idealised space, but a shared environment inhabited by a community in which youth, maturity and old age coexist and mirror one another. Within this ambiguous setting, what is meant to heal and protect also reveals itself as a mechanism of organisation, hierarchy and control.
A year-round programme for exceptionally talented young opera singers and répétiteurs, Mascarade Opera offers this new production to showcase the stagecraft and musical talent of the next generation. The performance unfolds as a sequence of musical tableaux in which individual memory gradually opens onto a collective dimension, and in which the characters move through desire, vulnerability, rivalry, crisis and the possibility of renewal. The musical fabric accompanies this gradual shift in perspective, shaping an ensemble narrative in which intimacy and tension, discipline and disorientation, community and solitude coexist. Recorded at Teatro Regio di Parma, the production is directed by Federico Grazzini, with the Filarmonica del Teatro Comunale di Bologna under the baton of Wyn Davies.
Recorded on 30.05.2026

