Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
Help
AgendaCritiquesArticlesVidéo

Bach Collegium Japan: Handel’s Messiah

Esplanade Concert Hall1 Esplanade Drive, Singapore, 038981, Singapour
Dates/horaires selon le fuseau horaire de Singapore
samedi 26 décembre 202619:30
dimanche 27 décembre 202616:00
Programme
Haendel, Georg Friedrich (1685-1759)Le Messie
Artistes
Bach Collegium Japan
Masato SuzukiDirection
Miku YasukawaSoprano
Roxana ConstantinescuMezzo-soprano
Seil KimTénor
Yasushi HiranoBaryton-basse

Bach specialist Masato Suzuki leads the Bach Collegium Japan's debut performance in Singapore in Handel’s Messiah.

Handel’s masterpiece tells of the birth and life of Jesus Christ, in spectacular choruses, moving arias and duets, and vivid recitatives. It was such a hit at its Dublin premiere in 1742 that gentlemen were asked to leave their swords at home and ladies to forego hooped skirts so that more people could fit in the theatre.

Over 280 years on, it remains a beloved classic, and for generations of fans is an essential part of the Christmas season.

Bach Collegium Japan, one of the world’s foremost period performance ensembles, uses instruments and techniques as close as possible to those Handel himself would have known.

PlanRéserver
Ajouter à l'agenda Google
Exporter vers iCal ou Outlook
Envoyer ces détails par email
Autres avec cette musique
Aussi à Esplanade Concert Hall
Bach Collegium Japan: Handel’s Messiah
À propos des œuvres
A guided tour of Handel's Messiah
Jane Shuttleworth, 21st October
Jane Shuttleworth is your personal guide around Handel’s greatest hit, from the solemn overture to the energetic and complex final fugue.
A Species of Musick Different From Any Other: Handel's Messiah
Paul Kilbey, 1st November
“It is difficult in no common degree to write anew concerning The Messiah,”1 said the music writer Henry F Chorley in 1859. The piece was, of course, 117 years old at the time, and there has only been more written on this landmark composition since. Handel’s Messiah is not just a popular classic, after all: it’s also a hugely important work.