| samedi 30 janvier 2027 | 19:00 |
| dimanche 31 janvier 2027 | 19:00 |
| mardi 02 février 2027 | 19:00 |
| jeudi 04 février 2027 | 19:00 |
| Bartók, Béla (1881-1945) | Le Mandarin merveilleux, Op.19, Sz 73 | |
| Bartók, Béla (1881-1945) | Le Château de Barbe-Bleue | Livret de Béla Balázs |
| Péter Halász | Direction | |
| Iurii Kekalo | Danse | The Mandarin |
| Mikalai Radziush | Danse | The Mandarin |
| Lea Földi | Danse | The girl |
| Jessica Carulla Leon | Danse | The girl |
| Judit Kutasi | Mezzo-soprano | Judith |
| Mikhail Petrenko | Basse | Bluebeard |
| Orchestre de l'Opéra d'État hongrois | ||
| Hungarian National Ballet |
Bartók Béla’s two highly influential stage works explore the dynamics of the relationship between man and woman and the deeper layers of their personalities, as presented by creators who, through a fusion of tradition and innovation, reveal the possibilities inherent in these works for 21st-century audiences. In Venekei Marianna’s choreography of The Miraculous Mandarin, premiered in 2024, the inner world of the characters is examined through the language of dance, set within an evoked big-city milieu. In the production of Bluebeard’s Castle staged in 2018, marking the 100th anniversary of its world premiere, director Kasper Holten reveals the symbolic doors of the male psyche by evoking the former painters' studio of the Opera House.

