| lundi 02 novembre 2026 | 19:30 |
| musique traditionnelle | Kyrie Eleison | |
| Cordier, Baude | Tout par compas | |
| musique traditionnelle | Paghjella Orezzinca | |
| Dufay, Guillaume (1397-1474) | Nuper rosarum flores | |
| musique traditionnelle | Dieus Sal la Terra | |
| de Senleches, Jacob (n. 1378) | La Harpe de Melodie | |
| Montpellier Codex | S’on me regarde | |
| Borlet | Hé, tres doulz roussignol | |
| Codex Calixtinus | Congaudeant Catholici | |
| Ciconia, Johannes (1370-1412) | Le ray au soleyl | |
| Solage (d. 1403) | Fumeux fume par fumee | |
| von Bingen, Hildegard (1098-1179) | O virtus sapientiae |
| Idrîsî Ensemble |
Idrîsî Ensemble explore the interweaving of science and the sacred through geometry, arithmetic, and symbolism in a programme of medieval trios and quartets, creating “a serene, hypnotic and reverent soundscape that feels like a voyage through sonic time.”
Medieval writers often spoke of music in three interlocking dimensions: musica mundana (cosmic order), musica humana (the harmony of the human being - body and soul), and musica instrumentalis (the audible music of voices and instruments). Music was not merely something we make; it was also something we are inside of.
The cosmos has order; the human has order; sounding music is a mirror and a training ground for both. To sing or play was therefore not only to perform, but to rehearse a way of being in tune - with oneself, with others, and with the world. For this performance, Idrîsî Ensemble director Thomas Fournil leads a group of six singers to explore the concepts of trivium and quadrivium.

