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Compositeur: Lang, David (n. 1957)

Rechercher des événements de musique classique, opéra et ballet | Lang
© Peter Serling
© Peter Serling
Fichier de données
Année de naissance1957
avril 2020
Spectacles à venirEn voir plus...

CincinnatiBeethoven No. 8 + Sō Percussion

Lully, Lang, Currier, Beethoven
Cincinnati Symphony Orchestra; Louis Langrée; Sō Percussion

BochumPrisoner of the State

Lang: Prisoner of the State
Bochumer Symphoniker; Steven Sloane; Claron McFadden; Alan Oke; Jarrett Ott; Davóne Tines

BrugesPrisoner of the State

Lang: Prisoner of the State
Bochumer Symphoniker; Steven Sloane; Claron McFadden; Alan Oke; Jarrett Ott; Davóne Tines

RotterdamPrisoner of the State

Lang: Prisoner of the State
Bochumer Symphoniker; Steven Sloane; Claron McFadden; Alan Oke; Jarrett Ott; Davóne Tines

LeipzigSoto / Scholz / Schröder

Soto / Scholz / Schröder
Lang, Schumann, Copland
Cayetano Soto; Uwe Scholz; Mario Schröder; Leipziger Ballett; Matthias Foremny; Gewandhausorchester Leipzig
Critiques récentesEn voir plus...

Paul/Rigal/Millepied/Lock : une soirée composite aux contrastes forts

Dans un programme composite et résolument contemporain, le Ballet de l’Opéra de Paris nous invite à découvrir le travail de quatre chorégraphes : Nicolas Paul, Pierre Rigal, Benjamin Millepied et Edouard Lock.

Wendy Whelan embraces minimalism in The Day

Wendy Whelan and Maya Beiser in The Day © Reed Hutchinson and CAP UCLA
The Day features music by David Lang and choreography by Lucinda Childs as former ballerina Wendy Whelan and cellist Maya Beiser perform together in this work contemplating memory, mortality, and aging.

Weiss and Wosner a commanding piano duo in Cleveland recital

Shai Wosner © Marco Borggreve
Orion Weiss and Shai Wosner teamed up for thrilling accounts of pinnacles of the repertoire for two pianists by Schubert and Brahms.

LSO Futures: A mixed night of mostly new music at the Barbican

Simon Halsey conducting the public domain © Doug Peters
The LSO Futures season presented a programme of alternately effective, un-engaging and overpowering music at the Barbican.

Morlot conducts in Seattle, with and without heroes

Ludovic Morlot © Lisa Marie Mazzucco
In yet another intriguing programming maneuver, Seattle Symphony music director Ludovic Morlot devoted this weekend’s performances to the subject of heroism.
© Peter Serling
© Peter Serling

You can read our October 2013 interview with David Lang here.

Passionate, prolific, and complicated, composer David Lang embodies the restless spirit of invention. Lang is at the same time deeply versed in the classical tradition and committed to music that resists categorization, constantly creating new forms.

In the words of The New Yorker, “With his winning of the Pulitzer Prize for the little match girl passion (one of the most original and moving scores of recent years), Lang, once a postminimalist enfant terrible, has solidified his standing as an American master.”

Musical America’s 2013 Composer of the Year and recipient of Carnegie Hall’s Debs Composer’s Chair for 2013–2014, Lang is one of America’s most performed composers. Many of his works resemble each other only in the fierce intelligence and clarity of vision that inform their structures. His catalogue is extensive, and his opera, orchestra, chamber and solo works are by turns ominous, ethereal, urgent, hypnotic, unsettling and very emotionally direct. Much of his work seeks to expand the definition of virtuosity in music – even the deceptively simple pieces can be fiendishly difficult to play and require incredible concentration by musicians and audiences alike.

the little match girl passion, commissioned by Carnegie Hall for Paul Hillier’s vocal ensemble Theater of Voices, was awarded the 2008 Pulitzer Prize for music. Of the piece, Pulitzer-juror and Washington Post columnist Tim Page said, “I don’t think I’ve ever been so moved by a new, and largely unheralded, composition as I was by David Lang’s little match girl passion, which is unlike any music I know.”

His recent works include love fail for the early music vocal ensemble Anonymous 4, with libretto and staging by Lang, at the Kennedy Center, UCLA and the Next Wave Festival at BAM; reason to believe, for Trio Mediaeval and the Norwegian Radio Orchestra; death speaks, for Shara Worden, Bryce Dessner, Nico Muhly, and Owen Pallett, at Carnegie Hall; concerto (world to come) for cellist Maya Beiser and the Norrlands Operans Symhoniorkester; writing on water for the London Sinfonietta, with libretto and visuals by English filmmaker Peter Greenaway; and the difficulty of crossing a field, a fully staged opera with the Kronos Quartet.

“There is no name yet for this kind of music”, wrote Los Angeles Times music critic Mark Swed of Lang’s work, but audiences around the globe are hearing more and more of it, in performances by such organizations as Santa Fe Opera, the New York Philharmonic, the Netherlands Chamber Choir, the Boston Symphony, the Munich Chamber Orchestra, and the Kronos Quartet; at Tanglewood, the BBC Proms, The Munich Biennale, the Settembre Musica Festival, the Sidney 2000 Olympic Arts Festival and the Almeida, Holland, Berlin, and Strasbourg Festivals; in theater productions in New York, San Francisco and London; alongside the choreography of Twyla Tharp, La La La Human Steps, The Netherlands Dance Theater and the Paris Opera Ballet; and at Lincoln Center, the Southbank Centre, Carnegie Hall, the Kennedy Center, the Barbican Centre, and the Brooklyn Academy of Music.

Lang is the recipient of numerous honors and awards, including the Pulitzer Prize, Musical America’s Composer of the Year, Carnegie Hall’s Debs Composer’s Chair, the Rome Prize, the BMW Music-Theater Prize (Munich), and grants from the Guggenheim Foundation, the Foundation for Contemporary Performance Arts, the National Endowment for the Arts, the New York Foundation for the Arts, and the American Academy of Arts and Letters. In 1999, he received a Bessie Award for his music in choreographer Susan Marshall’s The Most Dangerous Room in the House, performed live by the Bang on a Can All-Stars at the Next Wave Festival of the Brooklyn Academy of Music. The Carbon Copy Building won the 2000 Village Voice OBIE Award for Best New American Work. The recording of the passing measures on Cantaloupe Records was named one of the best CDs of 2001 by The New Yorker. His CD pierced on Naxos was praised both on the rock music site Pitchfork and in the classical magazine Gramophone, and was called his “most exciting new work in years” by the San Francisco Chronicle. The recording of the little match girl passion released on Harmonia Mundi received the 2010 Grammy Award for Best Small Ensemble Performance.

Lang is co-founder and co-artistic director of New York’s legendary music collective Bang on a Can. His work has been recorded on the Sony Classical, Harmonia Mundi, Teldec, BMG, Point, Chandos, Argo/Decca, and Cantaloupe labels, among others.

His music is published by Red Poppy Music (ASCAP) and is distributed worldwide by G. Schirmer, Inc.