“It is difficult in no common degree to write anew concerning The Messiah,”1 said the music writer Henry F Chorley in 1859. The piece was, of course, 117 years old at the time, and there has only been more written on this landmark composition since. Handel’s Messiah is not just a popular classic, after all: it’s also a hugely important work.
Fabio Biondi, making his New York Philharmonic debut, leads the New York Phil, the Handel and Haydn Society Chorus, and a quartet of soloists in a Messiah that emphasizes momentum.
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