Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.
The amount of attention Igor Stravinsky’s iconoclastic ballet score The Rite of Spring has received this year – its 100th – has been enormous, perhaps even excessive. Countless important works, after all, routinely have anniversaries to celebrate, and very few are lucky enough to receive much particular attention. On Bachtrack alone, the year has seen nine concert reviews of the Rite so far.
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