| Rachel Brown | Flûte |
| Masumi Nagasawa | Harpe |
| Gergely Madaras | Direction |
| Academy of Ancient Music |
As technology and travel developed in the 18th century, so Europe became smaller. Composers had ready access to the works of their colleagues in foreign lands, and cross-currents in culture became ever more prevalent.
Born in Bavaria, educated in Austria and later becoming master of the Parisian stage, Gluck was to synthesise national styles and genres, fusing Italian opera and French dance. In his masterpiece Don Juan these elements combine to illustrate a thrilling tale of a duel, a banquet and our hero’s descent into hell.
Mozart – also educated in Austria – was similarly attracted by the bustling Parisian music scene, and during his years there was commissioned to write the Concerto in C major. A stunning example of the cosmopolitan, trans-European culture that was developing in the 18th century, its intricacy and playfulness have ensured its place as one of the most popular duo concertos of the classical era.
There will be a free AAM Explore pre-concert talk at 6.30pm.