Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.
The white walls of the hallway leading to the auditorium of the Greene Space were lined with 8.5-by-11-inch sheets of paper, each with one word scrawled across in varying degrees of legibility.