En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gottschalk

Le New York City Ballet est à l’affiche de la douzième édition des Etés de la Danse au Théâtre du Châtelet. Cette participation est une première attendue de longue date, alors que le festival a déjà accueilli de nombreuses compagnies américaines.

An intriguing reconstruction of an early work by Paul Taylor created on Pina Bausch and Dan Wagoner and a classic of barbed satire made a powerful triple bill by PTDC.

American Ballet Theatre Studio Company showcase the talents of its youthful dancers in a diverse and demanding programme at the Linbury.

An evening of George Balanchine’s joyous, kitschy send-ups, with clever parodies of Petipa ballets.

A peripatetic program from The Knights spanning three continents and nearly two centuries, played with an appealing immediacy.

A finale to Pacific Northwest’s Ballet’s 2018-1019 season sends the audience home with memories of satisfying new work, appreciation of the old, and shaken to the core by a Limón performance.

Liverpool’s Philharmonic Hall was plunged into luscious sunshine with music from across the Tropics. The first half was filled with the sounds of Latin America before a nautical Arabian tour.

Virtuosity commanded the stage in the first half, drama and mood in the second, with Liam Scarlett’s new ballet a fitting tribute to the retiring Zenaida Yanowsky

There are 44 years between the oldest and newest Balanchine works in this programme which confirmed its timeless beauty and significance today. 

A new ukulele concerto performed by Jake Shimabukuro was the centerpiece of a concert featuring four works inspired by the Mediterranean, the Caribbean and the Hawaiian Islands.

Peter Martins's greatest legacy at New York City Ballet is his tremendous eye for talent and it was on full display at this matinee show.

This season New York City Ballet unveiled two entirely new ballets by choreographers Peter Martins and Benjamin Millepied. Both world premieres took place during the NYCB’s spring gala earlier this month and were reprised Tuesday night for an eager, if not as impressively dressed, audience.Martins’ Mes oiseaux (“My Birds”), first of the night, included some interesting choices.