En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Tête à Tête: The Opera Festival

Tête à Tête: The Opera Festival has once again succeeded in showcasing with flair some of the most daring and innovative small-scale operas. This Sunday, a diverse audience gathered at London’s Riverside Studios for the performance of Louis Andriessen’s recent monodrama Anaïs Nin (2009-10).

“I’m an old man, but I’m profoundly optimistic about nothing.”Francis Bacon said no end of fascinating things, about painting, art, life, everything really. So listening to his thoughts, especially when guided along by an interviewer as expert as Melvyn Bragg, was always going to make for an entertaining evening.

The 2012 Tête à Tête opera festival is continuing on the bold course begun in 2007. Over halfway through its breathless 18-day schedule, it all seems as fresh as when it started. Its sixth season contains some typically outlandish operatic gems, most relatively brief in length.

Tête à Tête: The Opera Festival is an amazing opportunity for emerging opera companies and performers, giving valuable time and attention to bold and strange new works.