En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jerome Anthony Barnes

Christopher Hampson's reinvented version of his own original Cinderella, Cinders!, is a triumph of theatre, whether the central character is danced by a man or a woman.

Clearly on a mission to prove that today’s dance world comprises many styles that feed into and refresh each other, Scottish Ballet starts as it means to go on.

It’s back with the same team, slightly tweaked here and there and with a new generation of dancers taking on those iconic roles. What took them so long?

The integration of an onstage camera shooting live action film is not new, but Jess and Morgs are perfecting the art of adding this extra dimension to live performance.

Helen Pickett's slick and revealing adaptation of Arthur Miller's play receives its London premiere at Sadler's Wells. 

Jess and Morgs continue to break the mould of tired dance films by directing their first full-length feature, which offers much more than just a different way of presenting dance.

A worthwhile addition to the locker of lockdown digital dance.