En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Pavel Kogan

This Anvil concert revealed a “two sides of the same coin” quality from an illustrious orchestra that left a mixed, but mostly favourable impression.

A programme steeped in the cultural experience of 20th-century Russia offered intrigue, thrills and a surprising dash of humour.

A Russian orchestra playing big, soul-searching pieces of Russian music is always going to be a crowd-puller, and a full symphony orchestra visiting the North East is a rare treat, so it was no surprise that the Moscow State Symphony Orchestra had the cavernous Town Hall in Middlesbrough pretty much filled, with a very enthusiastic audience.

Everyone tells me that Russians play Russian music better than anyone else, but no-one seems to be able to put their fingers on the mysterious quality of Russianness Russians are meant to produce when playing Russian.

The Moscow State Symphony Orchestra continued their European tour with three programs at the Cadogan Hall, all with works by Tchaikovksy. As far as programming goes, the MSSO played it safe, but when it comes to Tchaikovksy this is not necessarily a criticism.

“From Russia with love” might have been an apt title for this evening’s performance from the Moscow State Symphony Orchestra on the Irish leg of their tour, for this was a concert designed to showcase all that is best in Russian music both in interpretation and in composition.

I had high expectations for the evening after being very impressed with an MSSO performance I had seen as a teenager. The first piece on the programme was the Polovtsian Dances from Borodin’s opera, Prince Igor. The performance highlighted both the playful and brutal elements of the piece which made for an exciting performance.