En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Simon Bennison

Voici 7 des 7 critiques

Lire des comptes-rendus dans d'autres langues : English

Manon Ogwen Parry, Gabriella Giulietta Noble, Marianne Ruel and Hannah McKay (Lucrezia) © David Monteith-Hodge

Respighi’s Lucrezia compels in Guildhall School’s double bill

Par Dominic Lowe, 03 novembre 2025

Pleas for more Respighi operas are answered as the students of the Guildhall School of Music and Drama give the UK premiere of Lucrezia, paired with Ethel Smyth's Der Wald.

****1

Plus d'infos

****1

Londres

03 nov. 2025

Respighi’s Lucrezia compels in Guildhall School’s double bill

Par Dominic Lowe

Liam Boswell in Kyle Abraham's The Weathering © Tristram Kenton

Londres

Encounters: The Royal Ballet at its versatile best

Par Amanda Jennings, 22 octobre 2024

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

****1

Plus d'infos

****1

Londres

22 oct. 2024

Encounters: The Royal Ballet at its versatile best

Par Amanda Jennings

Clémentine Boullé in the Hebe variation from The Awakening of Flora © ASH

Londres

English National Ballet School embraces the unconventional

Par Deborah Weiss, 19 juin 2024

English National Ballet School Professional Trainees show great versatility in their final performance of the year, with a highly entertaining mixed programme.

****1

Plus d'infos

****1

Londres

19 juin 2024

English National Ballet School embraces the unconventional

Par Deborah Weiss

Melissa Hamilton as Satan and William Bracewell as Dante in Wayne McGregor's The Dante Project © Andrej Uspenski

Londres

The Dante Project: beautiful dancing but hard to discern a narrative

Par Deborah Weiss, 25 novembre 2023

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

***11

Plus d'infos

***11

Londres

25 nov. 2023

The Dante Project: beautiful dancing but hard to discern a narrative

Par Deborah Weiss

Mariko Sasaki and Lukas Bjørneboe Brændsrød in Valentino Zucchetti's Anemoi © Alice Pennefather

Londres

The Royal Ballet: Anemoi/The Cellist a well-balanced double bill

Par Graham Watts, 20 octobre 2023

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill.

****1

Plus d'infos

****1

Londres

20 oct. 2023

The Royal Ballet: Anemoi/The Cellist a well-balanced double bill

Par Graham Watts

Londres

Hearing in colour: Kochanovsky conducts the Philharmonia in ecstatic Scriabin

Par Mark Pullinger, 11 mai 2023

Multi-sensory music? Scriabin's Prometheus, Poem of Fire tickles the senses in an ecstatic performance under Stanislav Kochanovsky.

****1

Plus d'infos

****1

Londres

11 mai 2023

Hearing in colour: Kochanovsky conducts ecstatic Scriabin

Par Mark Pullinger

Londres

Paradise? Hell is more fun in Wayne McGregor's Dante Project for The Royal Ballet

Par Sarah Kirkup, 14 octobre 2021

McGregor and Adès' collaboration for The Royal Ballet is impressive, but doesn't always tug at the heartstrings.

***11

Plus d'infos

***11

Londres

14 oct. 2021

Paradise? Hell is more fun in Wayne McGregor's Dante Project

Par Sarah Kirkup