En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Gennady Rozhdestvensky

Le chef Rozhdestvensky annonçant au dernier moment qu'il n'est plus en mesure de diriger l'orchestre, il est remplacé in extremis par Mikhail Pletnev dans les symphonies, et par le premier violon Alexey Bruni dans le Concerto de Scriabine. S'il faut être indulgent dans la laborieuse première partie, la Symphonie n°9 de Chostakovitch est pleine de verve, ce qui est remarquable dans de telles conditions. 

Substituting for Riccardo Muti, Gennady Rozhdestvensky lead the CSO in a program of diverse works for string orchestra along with Mozart's Clarinet Concerto, featuring the CSO's principal clarinetist.

Not having appeared with the CSO since 1999, Gennady Rozhdestvensky made a much anticipated return with the first and last symphonies of Shostakovich.

Rimsky-Korsakov's opera remain rarities outside Russia, but the Bolshoi Opera made The Tsar’s Bride the anchor of this year's Hong Kong Arts Festival programme. 

Hearing Russian opera performed by the forces of the Bolshoi makes for a special experience for New York audiences. 

With the recent bout of Siberian weather in Montreal, last night’s evening of Russian music at the Maison Symphonique felt positively balmy. Under the baton of Russian conductor Gennadi Rozhdestvensky, and featuring his wife Viktoria Postnikova on piano, the OSM’s performance of two works by Piotr Ilyich Tchaikovsky brought a little warmth to our snow-frozen city.

Overshadowed by far better-known and more frequently performed companions in his oeuvre, Tchaikovsky’s Piano Concerto no. 2 in G and the Manfred Symphony have received their fair share of criticism. Their length and stylistic oddities require strong force of will to pull off in performance – some performers (such as pianist Alexander Siloti) have gone so far as to make their own amendments.