En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jessica Fyfe

Scottish Ballet’s third outing of Christopher Hampson’s The Snow Queen sees some modifications to the story and it’s more spectacular than ever.

Scottish Ballet are tremendous in Helen Pickett's riveting production of Arthur Miller's The Crucible.

By the time a rain of multicoloured paper hands floated down from above, a bizarre figure in orange strolled onstage, ignored by everybody, the audience was in love with the whole thing.

Christopher Hampson's reinvented version of his own original Cinderella, Cinders!, is a triumph of theatre, whether the central character is danced by a man or a woman.