En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jessica Fyfe

Scottish Ballet are tremendous in Helen Pickett's riveting production of Arthur Miller's The Crucible.

By the time a rain of multicoloured paper hands floated down from above, a bizarre figure in orange strolled onstage, ignored by everybody, the audience was in love with the whole thing.

Christopher Hampson's reinvented version of his own original Cinderella, Cinders!, is a triumph of theatre, whether the central character is danced by a man or a woman.