En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Claire Watkins

Jeff Clarke's characteristically high-octane style seems made for the sarcastic, hyperactive existential madness that is Candide in this little gem of a production for Iford. 

Following acclaimed productions at Scottish Opera of The Marriage of Figaro and The Barber of Seville, recently revived, Thomas Allen returns to Glasgow to direct The Magic Flute.