En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Alistair Ollerenshaw

Bampton’s “mission to rescue unjustly neglected classical period opera” is vindicated once again with a fresh, fun account of the near-lost original source for Rossini's La Cenerentola: Isouard's Cendrillon. 

Drawing a line of suffering from ancient Rome to Golgotha to the concentration camps, Britten’s blank postcard from Belsen strikes to the heart of humanity. The Rape of Lucretia is brilliantly realised by the Royal Academy of Music.