En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | John Viscardi

Riveting production shows that Nixon in China still speaks to today's audiences. 

Jane Glover conducts a skittish Mozart's Così fan tutte for Kansas City's Lyric Opera.

Bravo to Opera Phila for presenting a startlingly beautiful contemporary operatic work by Osvaldo Golijov, one that's vital in the evolving landscape of 21st century opera.

During Verdi’s bicentenary month and year, it’s fitting that Opera Philadelphia kicked off its 2013/14 season with the work that Verdi himself considers as having launched his own career – Nabucco. Written at a time when Italy longed to be free of foreign rule, Verdi’s name and the expression “Viva Verdi” became synonymous with Italian nationalism and unification.

Never has the expression “A good time was had by all” been more accurate than at Tuesday night’s performance Il Barbiere di Siviglia at Centennial Hall in Haverford, Pennsylvania.

For the first time in twenty-five years, the Opera Company of Philadelphia has mounted a production of Puccini’s first great opera, Manon Lescaut. The result was an inspired testament to thoughtful direction by Michael Cavanagh, gorgeous sets and costumes by John Pascoe, and several winning performances.

Tucked away on Spruce Street, Philadelphia, many blocks off the glittering Avenue of the Arts is a stellar training academy with the mission of preparing world-class opera singers. It’s called the Academy of Vocal Arts (AVA), and it offers resident artists from throughout the United States and all over the world a chance to study and perform in its four-year program.