En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrew Gourlay

Well-honed performances from the CBSO under Andrew Gourlay are enjoyed by a packed Town Hall on the opening night of the festival.  

A top notch ensemble brings Coult’s first opera luminously to life at the Buxton International Festival, finding renewed relevance in the post-pandemic era.

How much classical restraint and how much Romantic feeling do you really want in 19th-century concertos and symphonies? With the RPO, Fumiaki Miura and Andrew Gourlay both choose to err on the side of the former.

The CBSO Youth Orchestra under Andrew Gourlay both succumb to and transcend imperfections in their performances of Prokofiev and Stravinsky.

Exemplary performances of classic works by the American minimalist from the London Sinfonietta 

Andrew Gourlay conducts the BBC Philharmonic in the inaugural concert of a new relationship with Lancaster University.

With a smaller programme and a humbler premise, the stars of the show – those young, immensely talented performers – could have shone even brighter

Fantastic performances can't quite elevate a disconnected audio-visual experience

Manchester flies the flag again for contemporary music as young composers put the BBC Philharmonic through their paces in a bracing programme of Shakespeare-inspired commissions.

Orchestral fairy tales and a Rachmaninov concerto make for satisfying fare at Symphony Hall, Birmingham.  

Andrew Gourlay conducts the BBC Philharmonic in piano concertos by Ravel and Rachmaninov, with Noriko Ogawa, Martin Roscoe, Kathryn Stott and Martin Roscoe taking turns at the keyboard.

Conductor Andrew Gourlay and pianist Alexandra Dariescu perform Tchaikovsky, Shostakovich and Beethoven with Royal Northern Sinfonia, but the overall result is disappointing.

This was a moving evening of relatively underrated, large-scale late romantic music, moving from Strauss’ youthful charm to the wistful eloquence of the mature Elgar.Assistant Conductor Andrew Gourlay directed Richard Strauss’ Serenade in E flat for thirteen wind instruments with closely controlled expressiveness.

In an unusual piece of programming by today’s standards, this evening’s symphony, Vaughan Williams’ fifth, was played before the interval, with the lighter works, Dvořák’s Wind Serenade and Elgar’s Cockaigne, later in the evening.

The opening night of the Hallé’s 2011-12 season was a thrilling tour through highly descriptive and technically challenging repertoire, and will leave Manchester concert-goers with much to look forward to.The 1889 premiere of Richard Strauss’ tone poem Don Juan was conducted by the composer, then aged 25.

The Salomon Orchestra launched into a blistering performance of the opening paragraph of Richard Strauss’s tone poem, Don Juan. It opened with a portrayal of a Don Juan of such indomitable vitality, that it left you reeling before it and more than happy to sink into the caresses of the seduced beauty portrayed in the first love scene, and it spoke volumes for the virtuosity of this orchestra.