En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Timothy Dickinson

The Orchestra of the Age of Enlightenment brings midsummer magic to the QEH, with a wholesome, community opera. 

Daisy Evans' take on Verdi's iconic tale of love stymied by the cruelty of others is characteristically innovative and insightful, while also blessed with a remarkable central performance from Anna Patalong. 

A strong cast and fine playing from La Nuova Musica gives Handel's Berenice a reasonably fair outing, but its original plot weaknesses constrain this opera from being anything more than a curio for the Handel connoisseur. 

A very naughty translation and some fine singing make for a delightfully comic evening of Cesti's recently rediscovered Orontea at Wigmore Hall. 

Justina Gringyte is a fabulous Carmen in Scottish Opera's dark take on this most tuneful of operas. Large choruses, including children with cigarettes, and a strong supporting cast make this an enjoyable show.

I’ve had the great privilege and even greater joy over the last couple of months to have been totally immersed in Bach: I’ve been researching him, and particularly his Passions, since Christmas.