En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Mark Omvlee

Cette Flûte Enchantée, qui joue avec intelligence sur les contrastes et la complexité des personnages, est servie par un plateau de jeunes et talentueux interprètes.

Johann Strauss II's Die Fledermaus, was never meant to challenge grand opera for profundity and Barrie Kosky pokes fun at Viennese high society in his riotous staging. 

Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging. 

A touring show on a frugal budget, but Opera Zuid's take on Offenbach's diabolical delights hits the spot in burning temperatures in the Netherlands. 

The magic in Philipp Stölzl and Philipp Krenn's new production comes from the pit, where Joana Mallwitz and the Royal Concertgebouw Orchestra captivate. 

A top-class line-up of international soloists produce an accomplished and polished semi-staging for the company's tour. 

Christine Goerke debütiert voller Leidenschaft als Isolde mit dem Concertgebouw-Orchester Amsterdam unter der musikalischen Leitung von Daniel Harding.

Àlex Ollé inszeniert ein alle Sinne überwaltigendes Fest für die Augen.

This year’s NTR ZaterdagMatinee concert series in Amsterdam kicked off with a Boris Godunov that left nothing to be desired.

Selectively unearthed from current critical editions, this fabulously performed new Hoffmann plumbs the murky depths of its antihero’s psyche.

In an elegant new production by Ivo van Hove, Malin Byström portrays a graceful, erotic Salome and the RCO play with sensuous lyricism under Daniele Gatti.

After showing in 13 theatres around the world, Robert Carsen’s Dialogues des carmélites returns again to Amsterdam, where it was premiered in 1997. Almost 20 years on, its finale remains a shattering theatrical experience.