En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jonas Degerfeldt

A semi-successful production with an interesting underlying idea and a solid cast brings Bizet’s masterpiece back to Stockholm.

Young soprano Cornelia Beskow impresses as Tatyana in an all-Swedish performance of Tchaikovsky’s masterpiece.

A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.

A frightyfully enjoyable world premiere of Victoria Borisova-Ollas first opera, turned into a giant Halloween party, where the Kungliga Operan is invaded by an audience of vampires, emaciated Victorian ladies and sinister characters.

John Lundgren, bullet-headed, youthful and overbearing, gave a world-class performance as Wotan. 

Strindberg, Munch, Grieg, and Kierkegaard eke out a living in a loft in Stockholm among the joys and sorrows of love and loss.

José Cura's new Bohème in Stockholm features Kierkegaard, Munch, Strindberg, and even Julbocken – but it's Daniele Callegari that proves the main draw.

German director Christof Loy’s second production for the Royal Swedish opera was of Wagner’s Parsifal. The cast is rather on the luxurious side as well, sporting three of the greatest Wagner singers working today – two of them Swedish, no less!Loy’s Parsifal is a distinctly human drama.