En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jonathan Goddard

Two individual works worth seeking out with outstanding performances in each.

A thrilling new interpretation of this masterpiece of musical theatre that promises to be one of the most memorable shows in this London summer.

Greek Mythology and German Expressionism enliven the great gothic horror story.

Incest, family secrets, murder… this is a fiercely compelling evening of dance, drama and song.

Shobana Jeyasingh choreographs Monteverdi's Tancredi e Clorinda for the 21st century, transporting her narrative from the Middle Ages to the present day while remaining fixed on the ongoing conflict in the Middle East.

An emotional programme of historical reenactments and inspiration 

Osipova has completely shaken away any inhibitions of classical training to dance more freely than ever before.

Natalia Osipova and David Hallberg's combined star power transcend this mixed bag of contemporary and classical dance.

Natalia Osipova and Jonathan Goddard excel in the gothic drama of Pita’s storytelling – but is it all just a bit too gory?

This opener to a unique tri-city, same-day event celebrating Cunningham's centenary was a magical and tranquil collage.  

An incredible musical performance - by pianists and singers - that is not well enough matched by the visual experience of cluttered creativity in which excellent dancers are often anonymous 

The latest bill from the Richard Alston Dance Company shows its leader as a consummate teacher: studied, scholarly, thoughtful.

Company Chameleon’s performance at the Royal Opera House demonstrated that the founding dancers’ concerns, at least in this programme, are about human interaction on a social and mythological level.

Saturday’s Place Prize Semi-Final 4 showcased the work by the last of the 16 commissioned choreographers, and with it came the announcement of the four pieces chosen to move forward to the finals. The audience vote went to h2dance’s Duet from the second night, with an impressive vote of 4.1 out of 5 stars.

Imagine a small company of just seven dancers being served a smorgasbord of eclectic new works, dished up by a quartet of today’s best young British choreographers from different top-ranking British companies. Ballet Black has just had the good fortune to present this spring season’s fare to a full house capacity at the Linbury Theatre in Covent Garden.