En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Bethan Langford

Voici 9 des 9 critiques

Lire des comptes-rendus dans d'autres langues : English

Loading image...

Grimeborn delivers a wholly satisfying Half Ring at Hackney Empire

Par Roy Westbrook, 06 août 2022

Using Jonathan Dove and Graham Vick's distillations of Siegfried and Götterdämmerung, the company concluded its miniature Ring cycle in under five hours, without sacrificing musical or dramatic tension.

****1

Plus d'infos

Loading image...

****1

Londres

06 août 2022

Grimeborn delivers a wholly satisfying Half Ring at Hackney Empire

Par Roy Westbrook

Londres

A valiant Walküre as Grimeborn's Ring relocates to the Hackney Empire

Par Mark Pullinger, 04 août 2021

Wagnerites can get their fix in London this week, where Die Walküre opens the Grimeborn Festival in Julia Burbach's new production of the adaptation by Graham Vick and Jonathan Dove.

****1

Plus d'infos

****1

Londres

04 août 2021

A valiant Walküre at the Hackney Empire

Par Mark Pullinger

Glasgow

Stovepipe hats are back: Scottish Opera’s steampunk Magic Flute returns

Par David Smythe, 04 mai 2019

Sir Thomas Allen’s crowd-pleasing Magic Flute returns to Scottish Opera in a finely sung performance with Tobias Ringborg drawing period colours from the orchestra.

****1

Plus d'infos

****1

Glasgow

04 mai 2019

Scottish Opera’s steampunk Magic Flute returns

Par David Smythe

Glasgow

A finely sung Katya Kabanova in rust-bucket Russia

Par David Smythe, 12 mars 2019

Stephen Lawless' new production for Scottish Opera and Theater Magdeburg sets the action in the industrial wastelands of Russia.

****1

Plus d'infos

****1

Glasgow

12 mars 2019

A finely sung Katya Kabanova in rust-bucket Russia

Par David Smythe

Glasgow

A dark, unflinching Rigoletto from Scottish Opera

Par Gregor Forbes, 18 octobre 2018

More relevant than ever, the patriarchal nightmare of Verdi's Rigoletto is dark and unflinching in Scottish Opera's revival of their 2011 production, with some striking scenes and fine singing.

****1

Plus d'infos

****1

Glasgow

18 oct. 2018

A dark, unflinching Rigoletto from Scottish Opera

Par Gregor Forbes

Oxford

Three recitals, two Op.39s, and a Schumann rarity at the Oxford Lieder Festival

Par Roy Westbrook, 26 octobre 2016

An old instrument, a veteran star singer, and a late rose all bloom at Oxford's annual songfest.

****1

Plus d'infos

****1

Oxford

26 oct. 2016

A Schumann rarity at the Oxford Lieder Festival

Par Roy Westbrook

Londres

Survivor's guilt: Britten's The Rape of Lucretia, Guildhall School

Par Charlotte Valori, 22 février 2016

Bleak and uncompromising in vision and intention, Britten's The Rape of Lucretia gets a suitably dark, discomfiting outing at Guildhall.

***11

Plus d'infos

***11

Londres

22 févr. 2016

Survivor's guilt: Britten's The Rape of Lucretia

Par Charlotte Valori

Londres

Situation comedy, Italian style: Wolf-Ferrari's Le donne curiose at Guildhall School

Par Charlotte Valori, 02 novembre 2015

A light and sassy comedy from Wolf-Ferrari showcases the latest crop of talent from the Guildhall in a stylish 1960s production from Yannis Thavoris with video by Dom Baker, directed by Stephen Barlow.

***11

Plus d'infos

***11

Londres

02 nov. 2015

Situation comedy, Italian style

Par Charlotte Valori

Londres

Reactions and Reflections: The music of Les Six at Charlton House

Par Ninfea Cruttwell-Reade, 22 mars 2013

Regeneration is currently at the heart of everything that goes on inside the beautifully preserved Charlton House. Built between 1607 and 1612 by Sir Adam Newton, the building and its grounds remain a fine example of Jacobean domestic architecture.

***11

Plus d'infos

***11

Londres

22 mars 2013

Reactions and Reflections: The music of Les Six at Charlton House

Par Ninfea Cruttwell-Reade