En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Emmanuel Joel-Hornak

Jacques Offenbach’s Tales of Hoffmann is a fine example of how the ridiculous can indeed be sublime. Three E.T.A. Hoffmann stories about otherworldly love affairs with defective femmes fatales, one of whom turns out to be a mechanical doll, connected only by the author’s gullible alter-ego as protagonist, scale the heights of the phantasmagorical.

It has become customary to give recent productions of Hänsel and Gretel a modern and often murkier twist, perhaps mirroring the current surge in popularity of darker stories, and the appetite for Nordic noir in particular.