En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Andrea Miller

A.I.M by Kyle Abraham at the Joyce Theater proved to be a mixed offering with his own piece, 2x4, coming off best.

Andrea Miller and her GALLIM dance company have brought an evening-length WONDERLAND to New York's Joyce Theater after 14 years of tinkering and touring. The dancers are daring; the gems are few.

A startling, provocative contrast between two works in the Fall for Dance Festival opening program this season. And glimpses of Aran Bell when he's not being princely.

English National Ballet appears refreshed and revitalised under its new artistic director.

The feeling at the end of the evening was one of triumph, with the future of the Martha Graham Dance Company looking as optimistic as the frontier couple in Appalachian Spring.

Several important firsts at New York City Ballet: two female choreographers; the first black female choreographer; the first collaboration between a female choreographer and female composer. But the longstanding practice of pairing choreographers with fashion designers continues to prove problematic.  

New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

To Create a World creates a dystopian world that confuses as much as it answers. Miller's movement has a strong individual voice with constant movement and go-for-broke physicality.

Andrea Miller’s Gallim dancers, in Wednesday night’s showing of Blush, seemed to teeter wonderfully on the edge of physicality’s limits, even as the emotionally exhausting piece came to an abrupt and incongruous ending.In Ms Miller’s work, the dancers are clothed in modern-day wrestling or gladiator gear (costume design by Jose Solis), with their faces and bodies covered by a fine, white dusting.