En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jonathan Veira

Opera Holland Park's traditionally staged Cenerentola has plenty of sparkle and a fine cast of talented singers.

Third time unlucky? After a scorching start to the summer, with superb productions of Il trittico and Flight, Opera Holland Park’s season came unstuck with a horror of a show in Daniel Slater’s Aida.

Unlike its première, disaster is averted in Opera Holland Park's Il barbiere di Siviglia, where a solidly traditional production is lit up by some splendid vocal performances. 

Peter Grimes may deserve the place it has gained in the operatic canon, but it’s not a work without problems.

What a thrill it was to experience the recent production of Puccini's powerful opera at The Coliseum. Directed by Catherine Malfitano, herself a great Tosca, and conducted by Edward Gardner the performance gripped the packed auditorium throughout. The large orchestra responded magnificently to the maestro's direction adding considerably to the drama.

Puccini's Tosca is one of the stalwarts of the repertoire, with its soaring music and a showstopping number in each act: the evil Scarpia expounding his wicked plans to the background of the Te Deum, Tosca's Vissi d'arte awakening to the harsh world around her and Cavaradossi's lament on death row E lucevan le stelle in Act III.