En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Rob Howell

Voici 10 des 10 critiques

Lire des comptes-rendus dans d'autres langues : English

Loading image...

Joana Mallwitz makes a radiant Met debut leading a vigorous Figaro revival

Par Susan Stempleski, 31 mars 2025

A rising German conductor draws superb playing from the orchestra in the Met’s fifth revival of Richard Eyre’s witty 2014 production.

****1

Plus d'infos

Loading image...

****1

New York

01 avril 2025

Joana Mallwitz makes a radiant Met debut leading a vigorous Figaro

Par Susan Stempleski

New York

Met Opera revives Le nozze di Figaro with musical style

Par Linda Holt, 16 novembre 2019

In its revival of the 2014 production of Mozart’s Le nozze di Figaro, the Metropolitan Opera offers a satisfying blend of comic antics, beautifully realized music, and some top-notch singing in several roles.

****1

Plus d'infos

****1

New York

17 nov. 2019

Met Opera revives Le nozze di Figaro with musical style

Par Linda Holt

New York

Met's revival of Figaro as relevant today as ever

Par Ako Imamura, 09 décembre 2017

Under elegant leadership of conductor Harry Bicket, the Met's revival of the "Marriage of Figaro" succeeds with a strong ensemble of cast.

****1

Plus d'infos

****1

New York

10 déc. 2017

Met's revival of Figaro as relevant today as ever

Par Ako Imamura

New York

Vittorio Grigòlo energizes an uneven Met staging of Werther

Par Sacha Evans, 20 février 2017

From the moment he stepped on stage as our ill-fated title character, Italian tenor Vittorio Grigolo seemed as if he may burst at the seams.

***11

Plus d'infos

***11

New York

22 févr. 2017

Grigòlo energizes uneven Werther at the Met

Par Sacha Evans

New York

Anna Netrebko overcomes flawed production of Manon Lescaut at the Met

Par Robert Levine, 14 novembre 2016

Anna Netrebko scored an unmitigated success in her first Manon Lescaut at the Met, almost obliterating director Richard Eyre’s and designer Rob Howell’s misconceived production.

****1

Plus d'infos

****1

New York

15 nov. 2016

Netrebko overcomes flawed Manon Lescaut at the Met

Par Robert Levine

New York

It’s in the wind: Sir Richard Eyre’s Le nozze di Figaro returns to The Met

Par Courtney Smith, 25 février 2016

Mozart’s beauty asserted but never implied, Sir Richard Eyre’s Le nozze di Figaro brings grand complications in bright turns and quick wit.

***11

Plus d'infos

***11

New York

27 févr. 2016

It’s in the wind: Eyre's Figaro returns to The Met

Par Courtney Smith

New York

Work in progress: Met’s Manon Lescaut starring Opolais and Alagna

Par Ako Imamura, 12 février 2016

The Met's new production of Manon Lescaut with Kristine Opolais and Roberto Alagna has great potential to be successful musically, but the production is mixed at best.

***11

Plus d'infos

***11

New York

14 févr. 2016

Work in progress: Met’s Manon Lescaut

Par Ako Imamura

New York

A terrific early revival of the Metropolitan Opera's new Figaro

Par Robert Levine, 08 décembre 2014

After a six week hiatus, the Metropolitan Opera's new Le nozze di Figaro has returned, with a new cast and conductor.

****1

Plus d'infos

****1

New York

10 déc. 2014

A terrific early revival of the Met's Figaro

Par Robert Levine

New York

Fire and ice: Rachvelishvili and Antonenko lead a successful Carmen revival at The Met

Par Ako Imamura, 30 septembre 2014

The Met's revival of Carmen, with its rotating set, has a successful opening night with a strong cast, an insightful conductor, a superb orchestra and chorus, all working well as a team.

***11

Plus d'infos

***11

New York

01 oct. 2014

Fire and ice: Carmen at The Met

Par Ako Imamura

New York

Farcical elements to the fore in Eyre’s witty new Figaro as Met Opera season opens

Par Mark Pullinger, 22 septembre 2014

Richard Eyre’s witty direction may weight Figaro too heavily towards bedroom farce than satirical drama, but with sparky acting it’s difficult not to be won over.

****1

Plus d'infos

****1

New York

23 sept. 2014

Farcical elements to the fore in Eyre’s witty new Figaro

Par Mark Pullinger