En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Greg Fedderly

The Philadelphia Orchestra's superb semi-staged production of Tosca. 

The musical experience was dominated by the imagery making spectators feel, at least at times, overwhelmed.

Jun Kaneko's production of The Magic Flute at San Francisco Opera is a feast for the eyes, but both the stage direction and the translation need work.

“It is not his trial, it is mine, mine. It is I whom the devil awaits.” Richard Croft's Vere leads an outstanding cast in LA Opera's revival of Billy Budd.

Read our review of John Doyle's production of Britten's Peter Grimes in its 2008 broadcast from the Met Opera in New York.

Although opera, as a genre, is easily celebrated for its capacity to move and transport an audience, it is rare to be emotionally disturbed by one. Tobias Picker’s Dolores Claiborne, which received its world première by the San Francisco Opera this week, achieves such a feat. In doing so, it will certainly garner notoriety, both as well-deserved praise and well-deserved condemnation.

Aida typifies all that is grand about opera. Its exotic setting, majestic music, and dramatic love triangle can make for an evening unique among performing arts events. It’s not a bad way to close an opera season either. San Diego Opera did so on Saturday, capping a uniformly satisfying season with Zandra Rhodes’ vibrant production that was refreshing and at times thrilling.

An internationally acclaimed singer with a career spanning well over 30 years should be granted almost whatever role he’d like to do. It would also be understandable if the singer chose a well-known, crowd-pleasing piece, but, as is quite evident by now, Ferruccio Furlanetto is not a typical singer.

In keeping with its summer season of novelties, San Francisco Opera have produced a new English-language production of Mozart's The Magic Flute. Advertisements for the production showed baritone Nathan Gunn in a green, full-body leotard as a sort of frogman of a Papageno, leaping in the air and wearing a manic expression.

Read our review of Anthony Minghella's production of Puccini­'s Madama Buttefly in its 2009 broadcast from the Met Opera in New York.

Read our review of Julie Traymor's production of Mozart­'s Magic Flute in its 2006 broadcast from the Met Opera in New York.