En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Laquita Mitchell

The Cleveland Orchestra’s Sunday evening concert at the Blossom Music Center seemed like a mishmash on the printed page, but it turned out to be a perfect summer evening: an all-American program with great tunes (selections from Gershwin’s Porgy and Bess featuring three excellent soloists and the Blossom Festival Chorus), not too intellectually challenging (a fanfare by John Williams and excerpts

The Howard Gilman Opera House was filled from the orchestra to the balcony. Every seat sold for New York City Opera’s season opener La Traviata, on the occasion of their reinvention from an opera company in the city to an opera company going out into the city. La Traviata was their first production since their controversial move out of their time-honored Lincoln Center home.

When an ensemble of strong voices extends and nearly expends themselves, pouring out their artistry in tribute to Mozart’s genius, operagoers will stand during bows—eagerly. That is precisely what occurred during Opera New Jersey's July 11 performance of Don Giovanni. The cast received a standing ovation from a packed house, deservedly so.