En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Ted Brandsen

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

A rich mix of pure dance and powerful music shows the company in very fine form towards the end of a demanding season.

Ted Brandsens Choreographie geht dank der Entmystifizierung dieser tragischen Galionsfigur unter die Haut.

A complete roster of principal dancers appear in a gala full of the joys of spring. 

The story of Mata Hari is a hot topic, now maybe more than ever, and Dutch National Ballet's strong reprise of Ted Brandsen's 2016 ballet comes at the right time.

A stylised and fast paced production that lacks emotional impact, but is saved by the performance of ballerina Anna Tsygankova